Vera Lúcia Calábria

 Parsifal in Barcelona, Falstaff in Chicago, Tosca in Montpellier, Tannhäuser in Honolulu, and Carmen in Zurich, Cologne, Chicago, and Tel Aviv.

She now divides her time between stage productions and work with young singers as director and dramatic coach. Productions include La Finta Giardinera and L’Enfant et les Sortilèges/L’Heure Espagnole at UCLA, Der fliegende Holländer, Idomeneo and Aida at Los Angeles Opera, Il Barbiere di Siviglia at San Francisco Opera Center, and Cavalleria/Pagliacci at San Francisco Opera, The Queen of Spades at the Teatro Real, Madrid (Spain), Il Barbiere di Siviglia at Opera Indianapolis, La Canterina, Gigantes y Cabezudos, The Pirates of Penzance, The Magic Flute, and L’Enfant et les Sortilèges at CSULA, L’Enfant et les Sortilèges, Così fan tutte and Don Giovanni at CSUF, Der Rosenkavalier at Israeli Opera, Bluebeard’s Castle / L’Heure Espagnole, The Bear / La Navarraise, and The Rape of Lucretia at Yale University, Le Nozze di Figaro at the Shubert Theatre in New Haven, and all three of Mozart’s da Ponte Operas at Rice University.

In addition to her work as stage director, she has conducted master classes and workshops on Commedia dell’Arte in opera at CSULA, UC Santa Barbara, and UCLA among others. Her work as dramatic coach on role interpretation took her to Israeli Opera and the Staatsoper Berlin’s Young Artist Program, to Pepperdine University’s Songfest, the Wagner Theatre Program in New York, to LA Opera’s Domingo-Thornton Young Artist Program, and the Metropolitan Opera’s Lindeman Young Artist Development Program. In 2014 she started working with a private studio focused on High School age singers, and these students have begun to excel in competitions. She was also a member of the CSU Fullerton faculty for 5 years, teaching Performance Technique and directing.